Wednesday, July 12, 2017

Reclaim everything

Queens Of The Stone Age is my favourite band. I love all 6 of their albums, and the many styles of music they've explored throughout the years, but ... Like Clockwork holds a special place in my heart. As I mentioned earlier, I discovered this album during the worst period of my life, and it was very much the turning point for me. At a time when nothing made sense anymore and I was overwhelmed by the intensity of the situation I was thrust into, this album was my light at the end of the tunnel. From the moment I first heard the gloriously dark Keep Your Eyes Peeled, I felt a window open up inside of me. I felt curiosity and wonder. My thoughts were no longer jumbled, but coming clearly into focus. This album reminded me of who I am, and in doing so, led me to realize that no one can ever take that away from me. Everything stolen can be reclaimed.

Even prior to learning the album's backstory (Josh Homme died briefly during surgery), this album felt otherworldly to me, as though someone had tapped momentarily into another dimension, with its own distinct aura and language, and then translated what they saw into music (not unlike what David Lynch pulls off with his Black Lodge in Twin Peaks). ... Like Clockwork was a world I had never experienced before January 2015, and now that I have, I can't un-know what I know. Lyrically, Josh nails how it feels to be enveloped by a penetrating darkness. Keep Your Eyes Peeled is the best sonic depiction of depression I've ever heard. Its slow, unrelenting guitar riff feels like depression. Part of Josh's genius as a songwriter is that he knows when a catchy melody is best for a song and when something less accessible is best. If this song were any more upbeat, it wouldn't do its own message justice.

Underwater is another life
Disregarding every myth we write
Ragdoll churning, eagerly alive

Over and over, gasping in horror
So breathless you surface
And just as the next wave is ...

I won't detail what every song has meant to me, but I will say this album is a journey. As dark as it can be, it's also beautiful and transcendent. I do want to mention My God Is The Sun, though. This song perfectly describes how I view spirituality and my place in the world. I feel most alive when I'm aware that I'm a little grain of sand snuggled into an endless beach. Whether I'm at the top of a mountain looking out at everything beyond me, in a plane looking down at everything below me or cruising down the highway in my little blue car as the landscape morphs around me, I'm happiest when I'm aware of how massive the universe is and how little I understand. In an interview from years ago, when asked if he believes in God, Josh replies, "Absolutely. But not a man with a snow white beard. I think we have a symbiotic relationship with the entire world and I believe God is everything you don't understand."

In an interview on Marc Maron's WTF podcast, Josh speaks at length about what it was like growing up in Palm Desert (near Joshua Tree), and how there was always this sense there of peace and danger holding hands. He recalls his early days playing generator parties in the middle of the desert with his first band Kyuss (who Maron describes as having a "muted, mystical push") against a vast landscape of nothingness, and how as beautiful as it is, people have literally died out there when they couldn't find their way back to their car. It's clear Josh appreciates this raw kind of beauty and the opportunity to tap into a deeper, more primal level of existence. ... Like Clockwork, like every album he's been a part of, is a talisman of sorts, imbued with the spirit of the desert, and as described in the interview above, the magic that occurs at the place where opposite forces meet.

I also think this idea is what speaks to me the most. I didn't grow up in the desert, but I did spend all of my time growing up outdoors (most often in the woods). I would even sneak out in the middle of the night and walk around in the dark alone. I guess I've always been drawn to a slightly dangerous and wild vibration. This very danger gives me the greatest peace of all. I've also always been drawn to art that explores dualism and juxtaposition. I'm not sure if it's because of my circumstances growing up (being a girl around mostly guys, being poor in a wealthy suburb, going to church and then coming home and listening to Pink Floyd and Metallica) or if it's solely in my wiring, but again, this finding peace and feeling alive when opposite forces hold hands speaks profoundly to me. It just nails the core of who I am.

At the end of ... Like Clockwork's final track (the title track), Josh sings ...
One thing that is clear
It's all downhill from here

When I first heard this, I thought it was a knowingly depressing line, not to be taken too seriously, but to emphasize the fact that in real life there are often no obvious solutions, only the exact moment and whatever beauty you can find within it, despite any inclinations towards cynicism. Then, in another interview, Josh points out this lyric can be taken 2 completely different ways: as depressing or as uplifting (like hey, it's all a breeze from here!). In listening to this album hundreds of times, I had never once thought of it this way. I had only thought of it in the depressing way, which in that moment felt like the most brilliant metaphor for everything I had been through and how I would look at every decision moving forward. I have the power to take something depressing and assign it new meaning. I've reached a peak, and rather than look inside, I'm looking at the view around me.

Wednesday, June 28, 2017

Stark truth

In March of this year, I wrote a 3 page piece describing the details of the Hell I experienced between late 2013 and late 2015. It's easily the most brutally honest thing I've ever written. I thought about posting it here or finding an established site I'd feel comfortable sharing it on, but nothing seemed right. I thought about making a zine for it and pairing it with pretty artwork to soften the blow, but I'm still not sure that piece is meant for anyone's eyes but my own. It describes the horrifying way I was treated by a very specific person, but never discloses who this person is. That's because I'm related to this person and I've struggled greatly with knowing how to move on and how to share my story when this person is so closely tied to my life and everyone I know. I've decided to do the exact opposite, though, and just say who it is.

My youngest brother (who is 5 years older than I am) hurt me irrevocably when I was a child. He moved away from home before I started high school and for many, many years, I was happy. Then, he moved back in November 2013 (abruptly, without warning) and put me through the worst Hell I've ever known. To say the ground was pulled out from under me is an understatement. My entire understanding of reality was burned alive inside of me. I never knew I could feel pain so intense. For 2+ years, I lived in constant fight or flight mode, unable to think clearly or breathe properly. I couldn't even begin to process what was happening, let alone all he had done to me throughout my life.

This all happened, of course, during a transitional phase in my life, when I was deciding what to do next (do I go back to school?, do I move?, do I start a business?). I fell quickly into a deep depression, which led me to feel like a stranger inside my own body. I began having panic attacks every time I went out in public. I picked up old, self-destructive habits. I disengaged from social media completely (even Facebook). Simultaneously, I watched those I love most get sick and be hospitalized. It felt as though someone had grabbed me from behind and thrown me off a moving truck (and like I've been trying to catch up to that truck with my own 2 feet ever since).

I've struggled with understanding why this happened to me (whilst completely aware that horrible things happen every day to people, which only deepens my uncertainty), but I do know that because this person is related to me, it would've happened at some point, and maybe it happened at the best possible point in time. It's in the past now, but it still occupies my thoughts far more than I wish it would, and in a sad turn of events, this person (my brother) is now reaping what he's sown in a very real and scary way. Despite everything (which is a lot), I don't wish him harm and his current state further complicates my emotions even more. All I can say now is that people really do reap what they sow and I've never seen this truth unfold so plainly before my eyes. I wish everything could've turned out differently, but I'm at least grateful to know how strong of a person I really am.

Saturday, December 31, 2016

Farewell 2016

2016 was a pretty great year - not in the world at large (that's another post) - but in my own life, and I'm very grateful. I don't think I've ever been more excited for what a new year will bring.

For no real reason, I'm going to post a list I made last year of my Top 14 Favourite Songs Of 2015. After my last post, I realized how nice it is to have all my favourite songs from one time period together (and not just the songs, but the videos, too). So, I'm really just posting this for my own sake, but maybe someone else will enjoy it?


Alabama Shakes - Future People
Baroness - Shock Me
Chelsea Wolfe - Grey Days
Christine And The Queens - Tilted
Deafheaven - Come Back
Joy Williams - What A Good Woman Does
Marina And The Diamonds - Forget
Panopticon - Into The North Woods
Tame Impala - Let It Happen
Wolf Alice - Moaning Lisa Smile


Anyway, I hope anyone reading this is doing well and I hope your 2017 is genuinely awesome and fulfilling. I'll see ya on the other side.